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W

e have often featured articles on museum lighting in this magazine, but I do not

recall covering a museum that was part of a heritage site so I was fascinated,

when chatting to Morag Campbell of Xhamai Design, to learn just howmuch effort goes

into working on a site that is governed by the strict guidelines of the National Heritage’s

Act. Everything that is altered must be able to be reversed; so the floor is a wooden

deck that is installed on top of, but without damage to, the existing floor and the exhibits

are hung on a multi-purpose frame that incorporates not only a horizontal bar for the

artworks but also the LED strip lights. Where additional lighting was required, the team

incorporated custom designed light fittings onto the conduit round boxes and spotlights

were mounted onto partially existing points.

With this simple but effective lighting installation, Campbell, Viegas and the rest of

the JV team have created a layer of memories, not just of a negative past, but also of

a positive future. By accentuating the vaulted ceiling to illuminate its imperfections

and charms; using spots astutely; selecting the right colours to soften the space; and

applying bursts of light to break monotony, they have, throughout, intensified the emo-

tion attached to the building. As Campbell correctly says, they have managed to insert

something new into what was obviously a very old fabric, without losing the sense of

what it was like to be there all those years ago when the venue served as a prison. The

result, which highlights light and architecture, is poignant to say the least.

Moving from history of one kind to another, Otto Horlacher of Giantlight has designed

an LED engine that tests until now indicate can operate indefinitely at voltages way

higher than 230 volts. The new system is made more appealing by the fact that there

is no external driver so not only is all the relevant technology onboard, but the board

remains stable and can withstand voltages of 380V. Further tests will be conducted, but

Horlacher hopes to introduce his new LED engine to the South African market in 2015. It

is likely to be a welcome solution to the ‘floating neutrals’ frequently experienced during

the installation of LEDs and we look forward to following the progress of this new design.

Looking back over 2014, it has been a long year and we have survived elections,

black outs and postal strikes. It is therefore really good to hear that in spite of these

distractions, many local lighting companies are flourishing, with some not even taking

the usual break over December. On this positive note, Adel, Jenny and I would like to

thank readers and advertisers alike for your support and wish you all a happy and relax-

ing holiday season and all the very best for a successful 2015.

Till the new year!

Editor: Karen Grant

(crownmag@crown.co.za

) - Advertising manager:

Jenny Warwick

(jennyw@crown.co.za

) - Layout: Adel JvR Bothma - Circulation: Karen Smith

Cover: Cell C Campus, Waterfall Business Estate (Photograph: Dudley Bunn)

Published by Crown Publications cc

PO Box 140, Bedfordview, 2008 - Tel: +27 (0)11 622-4770 Fax: +27 (0)11 615-6108 - Website:

www.crown.co.za

Printed by: Tandym Print

All issues of Lighting in Design can be viewed on the Crown Publications website.

Visit

www.crown.co.za

and click on our icon.

Ed

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